[a letterhead from Kemmler & Weber] bigkenji here’s the handsome brick red

here’s the handsome brick red and brown option

Janson (1962)

This one sheds light on the intriguing and lesser-known history of how a dry transfer typeface inspired renowned type designer and art director Hans Donner (b

by the leaders of Suffolk County

worked with Der Druckspiegel and a handful of American designers at the forefront of the bleed edge of the experimental downtown vanguard presented four 16-page booklets showing off what could be done with type and illustration and the latest technology which consisted of “cutting” and “pasting”—by which we mean literally cutting things and pasting things

[a letterhead from Kemmler & Weber] bigkenji here’s the handsome brick redWhat can we say about this? Were typing this on a Saturday and customers are here (thankfully)but they are distracting us. Well keep this short: Heres a letterhead from Kemmler & Weber, a specialist shop for the graphic arts trade offering typefaces, closures, woodworking tools, black and colored inks for letterpress and lithography, cylinder windings, iron bars, locking tools, angle brackets, typesetting boats, felts, moleskins, and ribbons of all