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Danelle BERGSTROM
In ‘Rapids above St Johns Falls’ Pugh’s adoration for the land is clear
Auguste Blackman’s depictions of the minotaur take after Pablo Picasso’s
Her work is grounded in visual memory
From this perspective
Charles Blackman 'Philippa I' drawing Danelle BERGSTROMFrom 1970 to 1971, Charles Blackman was awarded a studio in Paris as part of the Cit des Artes scholarship. Immediately, he fell in love. Representing what would be known as his Golden Era for drawing, Blackman immersed himself in Parisian culture setting out to master the nude. Philippa was sketched during Blackman's time spent living in Paris a time of great creative development, when his international career was well under way. According to his
