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the work deconstructs the personal
This issue invites us to reflect on how art can help to reconstruct a fragmented identity
On this topic as well
on to the Arabat Spit
invariably based on idiosyncratic concepts
CRASH delete the work deconstructs the personalIn Michael Radfords first artists book, we see shattered supercar bodies forming a dialogue between consumer accidents and human desire, questioning these objects and their role in enabling petrol masculinity. The seductive high gloss compositions draw us in, seen through the lens of automotive sexiness and the capitalist ideological machine, cannoned by the image. The work reflects strategies from his professional background: advertising, publishing,
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