Portraiture and Politics in Revolutionary France Lynn G. Underwood Writing neither from the 'left'

Writing neither from the 'left' nor from the 'right'

underscoring tribunal achievements

Simon openly discusses why this is so important in education and what to do when that tablet device is handed to you for the very first time by your head teacher or colleague

With an uncanny eye for essential details and a knack for historical nuance

University of Chester 'Very clear and accessible

Portraiture and Politics in Revolutionary France Lynn G. Underwood Writing neither from the 'left'Examines the genre of portraiture and the political and cultural role of images in Revolutionary France. Focuses on portraiture as a privileged site for the elaboration of modern notions of selfhood and political agency.