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how we can recognize them
With Rebecca MacKinnon & Ethan Zuckerman: Tools for the future Jennifer Granick: Damage control Gabriella Coleman: Beacons of freedom Eric King: Trade secrets Ahmed Mansoor: free expression in Dubai Milton Mueller: Revolution in crisis Heather Bond: Ushahidi and crowd wisdom Pranesh Prakash: India's internet jam Hu Yong: microblogging in China Alex McGillivray on Twitter Frontline SMS: Anchor to the world
The heartbreaking tale starts with the arrival of a train overcrowded with passengers anxious to be among the first to cross the bay and their rush for a ferry with too few seats
While policy analysts often look to policy successes and failures outside their borders to draw valuable lessons and insights
gleefully Rabelaisian uberindie filmmaker Lloyd Kaufman (b
Teaching the Italian Renaissance Romance Epic Stephen Taylor how we can recognize themThe Italian romance epic of the fifteenth and sixteenth centuries, with its multitude of characters, complex plots, and roots in medieval Carolingian and Arthurian chivalric romances, was a form popular with courtly and urban audiences. In the hands of writers such as Boiardo, Ariosto, and Tasso, works of remarkable sophistication that combined high seriousness and low comedy were created. Their works went on to influence Cervantes, Milton, Ronsard,
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